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District 51 Studios
We are here to bring your vision to life.
District 51 Studios it is a full production company
delivering projects from concept to final cut.
District 51 Studios
We are here to bring your vision to life.
District 51 Studios it is a full production company
delivering projects from concept to final cut.
District 51 Studios
We are here to bring your vision to life.
District 51 Studios it is a full production company
delivering projects from concept to final cut.
Equipment
GEAR
CAMERAS
Red Epic-W 8K Helium
Red Raven 4.5K Dragon
CAMERA ACCESSORIES
DSMC2 V Lock back-plate.
DSMC2 Red TOUCH 4.7” LCD monitor.
DSMC2 Red TOUCH 5” LCD monitor
DSMC2 LCD/EVF Adaptor A
LCD/EVF Cable 12"
LCD/EVF Cable 24"
MEDIA
2 x 480gb red mag mini.
BATTERIES
2 x brick battery 155Wh -direct V lock.
4 x brick battery 160Wh usable with an adapter.
Battery charger.
FILTERS
1x Variable ND filter (Tiffen 82mm).
1x Polarizing Filter.
LENSES
24-70mm , F2.8 , Mark II, Canon L zoom Lens.
18-35mm, F1.8 Sigma zoom lens..
35mm, F1.4 Sigma art lens.
16mm F2.2 Rokinon Cine lens.
85mm F1.5 Rokinon Cine lens.
FOCUS
Wireless follow focus. - Ikan PD
Manual follow focus.
WIRELESS DIRECTOR MONITOR
Wireless HD video ( Transmitter ...Receiver.).
10" monitor.
27" monitor.
RIGS
Shoulder Rig.
Ikna Magic arm.
Dana Dolly.
GIMBALS - STABILIZATIONS
Ronin 1
LIGHTS
4 x LED 1000
2 x LED 600
2 x LED Fresnel
6 x Fresnel Tungsten 650W
2 x Fresnel Tungsten 1000W
4 x China Ball - 120W, 250W, 500W (Day, Tungsten )
4 x dimmer 600W
STANDS
6 x C-Stand
Red Epic-W 8K Helium (Details)
Sensor type HELIUM 35.4 Megapixel CMOS
EFFECTIVE PIXELS 8192 × 4320
SENSOR SIZE 29.90 mm × 15.77 mm
DYNAMIC RANGE 16.5+ stops
MAX DATA RATES
Up to 275 MB/s using RED MINI-MAG (480GB, 512GB, 960GB & 1TB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
MAX FRAME RATES
30 fps at 8K Full Format (8192 x 4320),
30 fps at 8K 2.4:1 (8192 x 3456)
30 fps at 7K Full Format (7168 x 3780),
40 fps at 7K 2.4:1 (7168 x 3024)
75 fps at 6K Full Format (6144 x 3240),
100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700),
120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160),
150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620),
200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080),
300 fps at 2K 2.4:1 (2048 x 864)
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1
5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
REDCODE RAW ACQUISITION FORMATS
Red RAW - 8K Full Format (8192 × 4320),
APPLE PRORES
ProRes 422 HQ,
ProRes 422
ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ
ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422
ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
WEIGHT
3.35 lbs (BRAIN with Integrated Media Bay)
MONITOR OUTPUTS
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
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